THE CONTINUUM BROADCAST

#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#98: The success of it will not lie in the result but in the process.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#44: No name tags at dinner.|#94: No objections? Just do it.|#84: The White Cube is a lie.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#30: Don’t work with artists who are assholes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#98: The success of it will not lie in the result but in the process.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#44: No name tags at dinner.|#94: No objections? Just do it.|#84: The White Cube is a lie.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#30: Don’t work with artists who are assholes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|

27.11—02.12.2019 17:00

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Apparatus 22:
THE CONTINUUM BROADCAST