#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#34: We pay artists.|#32: Be pan-gender polyphonic.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#34: We pay artists.|#32: Be pan-gender polyphonic.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
