#51: How do we invite the true unknown?|#56: Take a lunch break.|#34: We pay artists.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#124: Do less, do it better.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#40: Follow the artist|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#34: We pay artists.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#124: Do less, do it better.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#40: Follow the artist|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|
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26.03.2021 20:00

artist talk on a feminist board game

Pay what you can

Olivia Hernaïz:
Art & My Career

Art & My Career

Friday 26 March, 20:00, online via zoom
Borrow the board game Art & My Career at the ticket counter of Kunsthal Gent! (FR + EN)

Dialogue is at the centre of Olivia Hernaïz's practice. Her projects are an excuse to engage in conversations with others. With this in mind, the artist invites you to discover 'Art & My Career', a boardgame that addresses the question of the place of women in the world of contemporary art.

This game is intended for both women and men to reflect together in a playful way on this essential question.

From the artist to the museum curator, how do women manage to find their place in this environment? The game 'Art & My Career' invites us to put ourselves in their shoes in order to better understand their work conditions and their struggle.

Olivia Hernaïz

Born in 1985 in Brussels, Olivia Hernaïz obtained an MFA at Goldsmiths in London. Winner of the award ‘Art Contest’ supported by Boghossian Foundation in 2016, she is currently in residence at HISK in Ghent. Her recent exhibitions include : ‘New songs for old cities’, Netwerk Aalst (2021), ‘Inside Out’, Fine Arts Museum of Belgium (2020), ‘To Thomas ‘, YGREC, Paris (2020), ‘All About You’, The Koppel Project, London (2019), ‘Push Your Luck’, Island, Brussels (2019), Moscow International Biennale for Young Art, Moscow (2018); ‘As Long as the Sun Follows its Course’, Ixelles Museum, Brussels (2017).

www.oliviahernaiz.com

Olivia Hernaïz Francois Lauginie WEB

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Artist path