Art & My Career

#119: Be a space of production.|#94: No objections? Just do it.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#89: Build-in impurity within the organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#94: No objections? Just do it.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#89: Build-in impurity within the organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|

26.03.2021 20:00

artist talk on a feminist board game

Pay what you can

Olivia Hernaïz:
Art & My Career