#62: Be kind. Full dishwasher: empty it.|#132: Things will always look weird when you’re the first doing it.|#14: Can you also remain a toddler institution?|#54: What about disabled artists?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#40: Follow the artist|#107: Build a community / scene.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#37: Operate with radical transparency.|#124: Do less, do it better.|#62: Be kind. Full dishwasher: empty it.|#132: Things will always look weird when you’re the first doing it.|#14: Can you also remain a toddler institution?|#54: What about disabled artists?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#40: Follow the artist|#107: Build a community / scene.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#37: Operate with radical transparency.|#124: Do less, do it better.|
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08—11.11.2018 00:00

Pay what you can

Eastside Projects:
Artist Run Multiverse Summit

Kunsthal Gent werd uitgenodigd om bij te dragen aan de 'Artist-Run Multiverse Summit' in Birmingham. We maken er een road trip van, met vertegenwoordigers van andere artist-run organisaties uit (of gerelateerd aan) Gent en gaan naar Birmingham met de Koer, Croxhapox, platvvorm, NADAR, Outline, 019, NUCLEO, Manoeuvre en PostX.

"We are the artists, and the artists are many things."

De Artist Run Multiverse Summit brengt kunstenaars en kunstenaarsinitiatieven uit het VK en Europa bijeen om na te denken, te praten, eten en slapen, om samen te overwegen wat het kunstenaarsinitiatief of de 'artist run space' heden ten dage betekent, wat de 'artist run space' ooit kan zijn geweest, maar niet langer is, en wat het in de toekomst zou kunnen zijn.

Eastside Projects heeft vijf plekken, platforms of projecten uitgenodigd - Kunsthal Gent, Pallas Projects, Rabbits Road Press, Transmission Gallery en The White Pube - om deze collectieve, publieke discussie van een kader te voorzien. De tweedaagse Summit is bedoeld als startpunt voor een gesprek, waarbij aandacht wordt besteed aan de omgevingen en ecologieën waarin we actief zijn, de functie de 'artist run space', en de rol van kunstenaars bij het maken van cultuur, gemeenschap, infrastructuur en een beleid dat inspeelt op al onze noden. Meer info