#54: What about disabled artists?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#65: No excuses: Thursday morning, team meeting.|#16: Kunsthal Gent will always be a construction site.|#112: Spaces today don’t need to be curated, but occupied.|#37: Operate with radical transparency.|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#28: Make Contracts.|#30: Don’t work with artists who are assholes.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#65: No excuses: Thursday morning, team meeting.|#16: Kunsthal Gent will always be a construction site.|#112: Spaces today don’t need to be curated, but occupied.|#37: Operate with radical transparency.|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#28: Make Contracts.|#30: Don’t work with artists who are assholes.|#117: Consider design, organisational structures and architecture as programme.|
