#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#119: Be a space of production.|#61: No all male install teams.|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#119: Be a space of production.|#61: No all male install teams.|#105: Kunsthal Gent is local in scale, but globally connected.|
