#65: No excuses: Thursday morning, team meeting.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#40: Follow the artist|#59: Always protect the floor when painting (or pouring concrete)|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#40: Follow the artist|#59: Always protect the floor when painting (or pouring concrete)|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|