#17: An exhibition is never finished.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#119: Be a space of production.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#119: Be a space of production.|