#37: Operate with radical transparency.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#17: An exhibition is never finished.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#62: Be kind. Full dishwasher: empty it.|#94: No objections? Just do it.|#54: What about disabled artists?|#37: Operate with radical transparency.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#17: An exhibition is never finished.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#62: Be kind. Full dishwasher: empty it.|#94: No objections? Just do it.|#54: What about disabled artists?|
This website uses cookies to improve your user experience. More info

14.03.2019 19:00

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet

Pay what you can

Auteursrechten voor visuele kunstenaars

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet (SOFAM)
De lezing is gratis, mits inschrijving via goo.gl/forms/edqkg7TPzPmTvL1F2 vòòr 12 maart!
'Je hebt iets nieuws gemaakt. Je had een idee, en vertaalde het in een originele vorm. Je wilt het delen met de wereld, wat inhoudt dat het tijd is om na te denken over auteursrechten. Hoe beschermt de wet mijn werk? Wat zijn collectieve rechten, volgrechten? Hoe lang geldt het auteursrecht, en bij wie kan ik terecht voor meer informatie? Tijdens deze lezing bespreken we de basisbegrippen en geven we je tips over dit aspect van je professionele activiteit als visueel kunstenaar.'
SOFAM is een coöperatieve vennootschap bestuurd door kunstenaars, gespecialiseerd in het beheer van auteursrechten van visuele kunstenaars. Een eerlijke verloning voor creatief werk en de belangen van kunstenaars staan bij SOFAM centraal.