#17: An exhibition is never finished.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#119: Be a space of production.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#119: Be a space of production.|
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14.03.2019 19:00

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet

Pay what you can

Auteursrechten voor visuele kunstenaars

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet (SOFAM)
De lezing is gratis, mits inschrijving via goo.gl/forms/edqkg7TPzPmTvL1F2 vòòr 12 maart!
'Je hebt iets nieuws gemaakt. Je had een idee, en vertaalde het in een originele vorm. Je wilt het delen met de wereld, wat inhoudt dat het tijd is om na te denken over auteursrechten. Hoe beschermt de wet mijn werk? Wat zijn collectieve rechten, volgrechten? Hoe lang geldt het auteursrecht, en bij wie kan ik terecht voor meer informatie? Tijdens deze lezing bespreken we de basisbegrippen en geven we je tips over dit aspect van je professionele activiteit als visueel kunstenaar.'
SOFAM is een coöperatieve vennootschap bestuurd door kunstenaars, gespecialiseerd in het beheer van auteursrechten van visuele kunstenaars. Een eerlijke verloning voor creatief werk en de belangen van kunstenaars staan bij SOFAM centraal.