#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#91: Embrace doubt.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#99: Evolve according to changing needs.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#91: Embrace doubt.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#99: Evolve according to changing needs.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
