#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#35: The artist fee should be good.|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#35: The artist fee should be good.|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#54: What about disabled artists?|
