#44: No name tags at dinner.|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#119: Be a space of production.|#107: Build a community / scene.|#26: More artists, less borders.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#105: Kunsthal Gent is local in scale, but globally connected.|#4: Pay what you can.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#14: Can you also remain a toddler institution?|#37: Operate with radical transparency.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#34: We pay artists.|#124: Do less, do it better.|#44: No name tags at dinner.|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#119: Be a space of production.|#107: Build a community / scene.|#26: More artists, less borders.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#105: Kunsthal Gent is local in scale, but globally connected.|#4: Pay what you can.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#14: Can you also remain a toddler institution?|#37: Operate with radical transparency.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#34: We pay artists.|#124: Do less, do it better.|