#37: Operate with radical transparency.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#53: Immaterial support for artists is important.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#111: Do it together.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#53: Immaterial support for artists is important.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#111: Do it together.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|