#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#39: Be the early stepping stone in an artist’s career|#37: Operate with radical transparency.|#62: Be kind. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#34: We pay artists.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#14: Can you also remain a toddler institution?|#99: Evolve according to changing needs.|#4: Pay what you can.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#39: Be the early stepping stone in an artist’s career|#37: Operate with radical transparency.|#62: Be kind. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#34: We pay artists.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#14: Can you also remain a toddler institution?|#99: Evolve according to changing needs.|#4: Pay what you can.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|
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25.11.2021 18:30

Open gathering of women's network Univers'elle

Pay what you can

Univers'elle presents:
Bar univers'elle #3

Bar Univers’elle @ Syllabus

Univers'elle, a network of Ghent women with a focus on diversity, invites you to Bar Univers'elle on Thursday evening 30 September, 28 October and 25 November. The event is organized in Syllabus, an artwork by artist Jesse Jones: a monumental curtain in Kunsthal Gent that welcomes (activist) groups.

Thursday 25 November


  • We start at 18.30
  • The address is Lange Steenstraat 14
  • You're welcome to join Fien from the Kongostraat, departure at 18h
  • Register: send an email to fien.vanwolvelaer@in-gent.be or call/sms/WhatsApp to 0472 07 25 59 (mobile number Fien)

We are very much looking forward to seeing you (again),

Fien, Hava

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