#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#124: Do less, do it better.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#26: More artists, less borders.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#59: Always protect the floor when painting (or pouring concrete)|#99: Evolve according to changing needs.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#90: The best systems have a failure or ‘a hole’ in them…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#124: Do less, do it better.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#26: More artists, less borders.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#59: Always protect the floor when painting (or pouring concrete)|#99: Evolve according to changing needs.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#90: The best systems have a failure or ‘a hole’ in them…|