#65: No excuses: Thursday morning, team meeting.|#61: No all male install teams.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#21: Live with the exhibition, spend time with it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Be kind. Full dishwasher: empty it.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#65: No excuses: Thursday morning, team meeting.|#61: No all male install teams.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#21: Live with the exhibition, spend time with it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Be kind. Full dishwasher: empty it.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|
