#137: Use the publication as programming space|#91: Embrace doubt.|#74: Last one out turns of the lights.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#81: Things come alive when there is friction.|#89: Build-in impurity within the organisation.|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#65: No excuses: Thursday morning, team meeting.|#105: Kunsthal Gent is local in scale, but globally connected.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#91: Embrace doubt.|#74: Last one out turns of the lights.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#81: Things come alive when there is friction.|#89: Build-in impurity within the organisation.|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#65: No excuses: Thursday morning, team meeting.|#105: Kunsthal Gent is local in scale, but globally connected.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#2: Bring something new to the city of Ghent.|
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26.07.2019 19:30

i.s.m. Hatje Cantz Verlag

Pay what you can

Booklaunch:
Bastiaan van Aarle 01:20

Bastiaan van Aarle will present his new book 01:20, a collaboration with Hatje Cantz on the 26th of July.


About the book:


Ólafsfjörður is a fishing village in North Iceland. Like many Icelandic villages it consists of houses with roofs made of corrugated sheets, a church in the harbor, a few shops, a petrol station, a fish factory, a swimming pool and a school. All of this is surrounded by snowy mountaintops, rivers that meander through valleys, the sea crashing against cliffs and sheep in the hills.


One of the remarkable things in Iceland is that the sun doesn’t set during summer. Because of Ólafsfjörður’s northern orientation the sun touches the horizon on the first of July and goes immediately back up again after that. The sun sinks more and more the following days until the nights return.


This book visualizes this change in light and is a document of the place. These 31 images, each taken at 01:20 AM, represent the darkest moment of every day in the month of July.


Bastiaan van Aarle (1988°, Turnhout) lives in Berchem and teaches photography at the Academie of Sint-Niklaas. His work have been exhibited in Botanique, Warp and Museum M.


Edition: 700

Graphic design: Bastiaan van Aarle and Coco Kneepkens

Format 240 x 300 mm

Pages: 64

Cover: softcover

Published by Hatje Cantz Verlag

Boek-01

IMAGES
Boek-01
Boek-02
Boek-03