#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#56: Take a lunch break.|#119: Be a space of production.|#21: Live with the exhibition, spend time with it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#40: Follow the artist|#36: We support production separately.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#56: Take a lunch break.|#119: Be a space of production.|#21: Live with the exhibition, spend time with it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#40: Follow the artist|#36: We support production separately.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|
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26.07.2019 19:30

i.s.m. Hatje Cantz Verlag

Pay what you can

Booklaunch:
Bastiaan van Aarle 01:20

Bastiaan van Aarle will present his new book 01:20, a collaboration with Hatje Cantz on the 26th of July.


About the book:


Ólafsfjörður is a fishing village in North Iceland. Like many Icelandic villages it consists of houses with roofs made of corrugated sheets, a church in the harbor, a few shops, a petrol station, a fish factory, a swimming pool and a school. All of this is surrounded by snowy mountaintops, rivers that meander through valleys, the sea crashing against cliffs and sheep in the hills.


One of the remarkable things in Iceland is that the sun doesn’t set during summer. Because of Ólafsfjörður’s northern orientation the sun touches the horizon on the first of July and goes immediately back up again after that. The sun sinks more and more the following days until the nights return.


This book visualizes this change in light and is a document of the place. These 31 images, each taken at 01:20 AM, represent the darkest moment of every day in the month of July.


Bastiaan van Aarle (1988°, Turnhout) lives in Berchem and teaches photography at the Academie of Sint-Niklaas. His work have been exhibited in Botanique, Warp and Museum M.


Edition: 700

Graphic design: Bastiaan van Aarle and Coco Kneepkens

Format 240 x 300 mm

Pages: 64

Cover: softcover

Published by Hatje Cantz Verlag

Boek-01

IMAGES
Boek-01
Boek-02
Boek-03