#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|
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26.07.2019 19:30

i.s.m. Hatje Cantz Verlag

Pay what you can

Booklaunch:
Bastiaan van Aarle 01:20

Bastiaan van Aarle will present his new book 01:20, a collaboration with Hatje Cantz on the 26th of July.


About the book:


Ólafsfjörður is a fishing village in North Iceland. Like many Icelandic villages it consists of houses with roofs made of corrugated sheets, a church in the harbor, a few shops, a petrol station, a fish factory, a swimming pool and a school. All of this is surrounded by snowy mountaintops, rivers that meander through valleys, the sea crashing against cliffs and sheep in the hills.


One of the remarkable things in Iceland is that the sun doesn’t set during summer. Because of Ólafsfjörður’s northern orientation the sun touches the horizon on the first of July and goes immediately back up again after that. The sun sinks more and more the following days until the nights return.


This book visualizes this change in light and is a document of the place. These 31 images, each taken at 01:20 AM, represent the darkest moment of every day in the month of July.


Bastiaan van Aarle (1988°, Turnhout) lives in Berchem and teaches photography at the Academie of Sint-Niklaas. His work have been exhibited in Botanique, Warp and Museum M.


Edition: 700

Graphic design: Bastiaan van Aarle and Coco Kneepkens

Format 240 x 300 mm

Pages: 64

Cover: softcover

Published by Hatje Cantz Verlag

Boek-01
IMAGES
Boek-01
Boek-02
Boek-03