#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#65: No excuses: Thursday morning, team meeting.|#21: Live with the exhibition, spend time with it.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#65: No excuses: Thursday morning, team meeting.|#21: Live with the exhibition, spend time with it.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|
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26.07.2019 19:30

i.s.m. Hatje Cantz Verlag

Pay what you can

Booklaunch:
Bastiaan van Aarle 01:20

Bastiaan van Aarle will present his new book 01:20, a collaboration with Hatje Cantz on the 26th of July.


About the book:


Ólafsfjörður is a fishing village in North Iceland. Like many Icelandic villages it consists of houses with roofs made of corrugated sheets, a church in the harbor, a few shops, a petrol station, a fish factory, a swimming pool and a school. All of this is surrounded by snowy mountaintops, rivers that meander through valleys, the sea crashing against cliffs and sheep in the hills.


One of the remarkable things in Iceland is that the sun doesn’t set during summer. Because of Ólafsfjörður’s northern orientation the sun touches the horizon on the first of July and goes immediately back up again after that. The sun sinks more and more the following days until the nights return.


This book visualizes this change in light and is a document of the place. These 31 images, each taken at 01:20 AM, represent the darkest moment of every day in the month of July.


Bastiaan van Aarle (1988°, Turnhout) lives in Berchem and teaches photography at the Academie of Sint-Niklaas. His work have been exhibited in Botanique, Warp and Museum M.


Edition: 700

Graphic design: Bastiaan van Aarle and Coco Kneepkens

Format 240 x 300 mm

Pages: 64

Cover: softcover

Published by Hatje Cantz Verlag

Boek-01

IMAGES
Boek-01
Boek-02
Boek-03