#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#90: The best systems have a failure or ‘a hole’ in them…|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#36: We support production separately.|#124: Do less, do it better.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#91: Embrace doubt.|#16: Kunsthal Gent will always be a construction site.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#90: The best systems have a failure or ‘a hole’ in them…|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#36: We support production separately.|#124: Do less, do it better.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#91: Embrace doubt.|#16: Kunsthal Gent will always be a construction site.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|
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26.07.2019 19:30

i.s.m. Hatje Cantz Verlag

Pay what you can

Booklaunch:
Bastiaan van Aarle 01:20

Bastiaan van Aarle will present his new book 01:20, a collaboration with Hatje Cantz on the 26th of July.


About the book:


Ólafsfjörður is a fishing village in North Iceland. Like many Icelandic villages it consists of houses with roofs made of corrugated sheets, a church in the harbor, a few shops, a petrol station, a fish factory, a swimming pool and a school. All of this is surrounded by snowy mountaintops, rivers that meander through valleys, the sea crashing against cliffs and sheep in the hills.


One of the remarkable things in Iceland is that the sun doesn’t set during summer. Because of Ólafsfjörður’s northern orientation the sun touches the horizon on the first of July and goes immediately back up again after that. The sun sinks more and more the following days until the nights return.


This book visualizes this change in light and is a document of the place. These 31 images, each taken at 01:20 AM, represent the darkest moment of every day in the month of July.


Bastiaan van Aarle (1988°, Turnhout) lives in Berchem and teaches photography at the Academie of Sint-Niklaas. His work have been exhibited in Botanique, Warp and Museum M.


Edition: 700

Graphic design: Bastiaan van Aarle and Coco Kneepkens

Format 240 x 300 mm

Pages: 64

Cover: softcover

Published by Hatje Cantz Verlag

Boek-01

IMAGES
Boek-01
Boek-02
Boek-03