#19: Have fun at the exhibition.|#10: Don’t be obsessed with numbers.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#124: Do less, do it better.|#37: Operate with radical transparency.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#19: Have fun at the exhibition.|#10: Don’t be obsessed with numbers.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#124: Do less, do it better.|#37: Operate with radical transparency.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|