#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#99: Evolve according to changing needs.|#61: No all male install teams.|#124: Do less, do it better.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#99: Evolve according to changing needs.|#61: No all male install teams.|#124: Do less, do it better.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|