#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#6: Demand that visitors are active.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#56: Take a lunch break.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#6: Demand that visitors are active.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#56: Take a lunch break.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|
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20.03.2019 19:30

Book Presentation

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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