#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#51: How do we invite the true unknown?|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#36: We support production separately.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#51: How do we invite the true unknown?|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#36: We support production separately.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|
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20.03.2019 19:30

Book Presentation

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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IMAGES
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