#36: We support production separately.|#6: Demand that visitors are active.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#16: Kunsthal Gent will always be a construction site.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#36: We support production separately.|#6: Demand that visitors are active.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#16: Kunsthal Gent will always be a construction site.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
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20.03.2019 19:30

Book Presentation

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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IMAGES
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