#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#34: We pay artists.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#4: Pay what you can.|#28: Make Contracts.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#34: We pay artists.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#4: Pay what you can.|#28: Make Contracts.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|
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20.03.2019 19:30

Book Presentation

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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