#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#44: No name tags at dinner.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#4: Pay what you can.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#28: Make Contracts.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#44: No name tags at dinner.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#4: Pay what you can.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#28: Make Contracts.|#34: We pay artists.|
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28.08.2021 17:00

Music video launch

Pay what you can

buren presents:
COMPUTER_SONG

You are cordially invited to the launch of buren (the collective of Oshin Albrecht & Melissa Mabesoone)'s music video COMPUTER_SONG

💻

!
The text and the song describe the relation we have or could have with a computer. buren asks questions to this "fellow life companion" and approaches the object with serious and sensual interest, shedding new light on the almost absurd actions we all perform so often. Ctrl + C, Ctrl + V. Copy and paste.

The music video will be accompanied with an informal and informative radio-slash-dj-session from the computer_song_database, you can listen to it and move your feet while drinking a special cocktail made by musician-masseur-cook Benne Dousselaere. Cinematography by Anaïs Chabeur.

COMPUTER_SONG_COCKTAIL at Kunsthal Gent, Saturday August 28, 17:00

buren

buren is a collective founded by Oshin Albrecht and Melissa Mabesoone. Through performance, video, text, objects, photography and installation they navigate ideas of community, domesticity, gender, (art) history and neoliberal fantasies. With a strong visual and musical drive, buren approaches the scene as a critical playground, a surface on which they continuously re-play.

COMPUTER SONG buren

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