#82: Clean and sterile looks professional, but really boring.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#117: Consider design, organisational structures and architecture as programme.|#65: No excuses: Thursday morning, team meeting.|#111: Do it together.|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#91: Embrace doubt.|#6: Demand that visitors are active.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#107: Build a community / scene.|#26: More artists, less borders.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#117: Consider design, organisational structures and architecture as programme.|#65: No excuses: Thursday morning, team meeting.|#111: Do it together.|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#91: Embrace doubt.|#6: Demand that visitors are active.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#107: Build a community / scene.|#26: More artists, less borders.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|
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28.08.2021 17:00

Music video launch

Pay what you can

buren presents:
COMPUTER_SONG

You are cordially invited to the launch of buren (the collective of Oshin Albrecht & Melissa Mabesoone)'s music video COMPUTER_SONG

💻

!
The text and the song describe the relation we have or could have with a computer. buren asks questions to this "fellow life companion" and approaches the object with serious and sensual interest, shedding new light on the almost absurd actions we all perform so often. Ctrl + C, Ctrl + V. Copy and paste.

The music video will be accompanied with an informal and informative radio-slash-dj-session from the computer_song_database, you can listen to it and move your feet while drinking a special cocktail made by musician-masseur-cook Benne Dousselaere. Cinematography by Anaïs Chabeur.

COMPUTER_SONG_COCKTAIL at Kunsthal Gent, Saturday August 28, 17:00

buren

buren is a collective founded by Oshin Albrecht and Melissa Mabesoone. Through performance, video, text, objects, photography and installation they navigate ideas of community, domesticity, gender, (art) history and neoliberal fantasies. With a strong visual and musical drive, buren approaches the scene as a critical playground, a surface on which they continuously re-play.

COMPUTER SONG buren

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