#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#107: Build a community / scene.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#44: No name tags at dinner.|#124: Do less, do it better.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#37: Operate with radical transparency.|#111: Do it together.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#107: Build a community / scene.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#44: No name tags at dinner.|#124: Do less, do it better.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#37: Operate with radical transparency.|#111: Do it together.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
