#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#90: The best systems have a failure or ‘a hole’ in them…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#111: Do it together.|#19: Have fun at the exhibition.|#17: An exhibition is never finished.|#107: Build a community / scene.|#34: We pay artists.|#51: How do we invite the true unknown?|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#55: Keep basic human needs on the forefront.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#90: The best systems have a failure or ‘a hole’ in them…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#111: Do it together.|#19: Have fun at the exhibition.|#17: An exhibition is never finished.|#107: Build a community / scene.|#34: We pay artists.|#51: How do we invite the true unknown?|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#55: Keep basic human needs on the forefront.|
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25.10.2021 20:00

Film Programme

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

Monday 25th October, 20.00 - 22.30
Contested land and Indigenous land rights (NL & ENG)

OFFoff screening curated by Grace Ndiritu and Jubilee
Location: cinema

Programme:

  • Short introduction by Grace Ndiritu and Jubilee
  • In ‘t Patershol (Godelieve Van Geertruyen, 1973, 11 mins) about a group of hippies in the 1970s, living in the Patershol area where Kunsthal Gent is based. (NL)
  • Water Warriors (Michael Premo, 2017, 22 mins) about land justice movement in Canada (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is a stunt coordinator in this arthouse fiction cult classic. He is in charge of horses on a western being shot in a small Peruvian village. He thinks he has found paradise, but is soon called in to help in a bizarre incident: the Peruvian natives are "filming" their own movie with "cameras" made of sticks, and acting out real western movie violence, as they don't understand movie fakery. (ENG)
GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee/Caveat.


Practical information

Art Cinema OFFoff
(Inside Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Tickets can be bought at the entrance (8 euros / 5 euros - reduction)

Full programme - A season of truth and reconciliation
The last movie 3

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