#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|#16: Kunsthal Gent will always be a construction site.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#44: No name tags at dinner.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|#16: Kunsthal Gent will always be a construction site.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#44: No name tags at dinner.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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25.10.2021 20:00

Film Programme

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

Monday 25th October, 20.00 - 22.30
Contested land and Indigenous land rights (NL & ENG)

OFFoff screening curated by Grace Ndiritu and Jubilee
Location: cinema

Programme:

  • Short introduction by Grace Ndiritu and Jubilee
  • In ‘t Patershol (Godelieve Van Geertruyen, 1973, 11 mins) about a group of hippies in the 1970s, living in the Patershol area where Kunsthal Gent is based. (NL)
  • Water Warriors (Michael Premo, 2017, 22 mins) about land justice movement in Canada (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is a stunt coordinator in this arthouse fiction cult classic. He is in charge of horses on a western being shot in a small Peruvian village. He thinks he has found paradise, but is soon called in to help in a bizarre incident: the Peruvian natives are "filming" their own movie with "cameras" made of sticks, and acting out real western movie violence, as they don't understand movie fakery. (ENG)
GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee/Caveat.


Practical information

Art Cinema OFFoff
(Inside Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Tickets can be bought at the entrance (8 euros / 5 euros - reduction)

Full programme - A season of truth and reconciliation
The last movie 3

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