#2: Bring something new to the city of Ghent.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|
This website uses cookies to improve your user experience. More info

25.10.2021 20:00

Film Programme

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

Monday 25th October, 20.00 - 22.30
Contested land and Indigenous land rights (NL & ENG)

OFFoff screening curated by Grace Ndiritu and Jubilee
Location: cinema

Programme:

  • Short introduction by Grace Ndiritu and Jubilee
  • In ‘t Patershol (Godelieve Van Geertruyen, 1973, 11 mins) about a group of hippies in the 1970s, living in the Patershol area where Kunsthal Gent is based. (NL)
  • Water Warriors (Michael Premo, 2017, 22 mins) about land justice movement in Canada (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is a stunt coordinator in this arthouse fiction cult classic. He is in charge of horses on a western being shot in a small Peruvian village. He thinks he has found paradise, but is soon called in to help in a bizarre incident: the Peruvian natives are "filming" their own movie with "cameras" made of sticks, and acting out real western movie violence, as they don't understand movie fakery. (ENG)
GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee/Caveat.


Practical information

Art Cinema OFFoff
(Inside Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Tickets can be bought at the entrance (8 euros / 5 euros - reduction)

Full programme - A season of truth and reconciliation
The last movie 3

RELATED WORK PERIODS