#17: An exhibition is never finished.|#36: We support production separately.|#119: Be a space of production.|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#91: Embrace doubt.|#99: Evolve according to changing needs.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#17: An exhibition is never finished.|#36: We support production separately.|#119: Be a space of production.|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#91: Embrace doubt.|#99: Evolve according to changing needs.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
This website uses cookies to improve your user experience. More info

25.10.2021 20:00

Film Programme

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

Monday 25th October, 20.00 - 22.30
Contested land and Indigenous land rights (NL & ENG)

OFFoff screening curated by Grace Ndiritu and Jubilee
Location: cinema

Programme:

  • Short introduction by Grace Ndiritu and Jubilee
  • In ‘t Patershol (Godelieve Van Geertruyen, 1973, 11 mins) about a group of hippies in the 1970s, living in the Patershol area where Kunsthal Gent is based. (NL)
  • Water Warriors (Michael Premo, 2017, 22 mins) about land justice movement in Canada (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is a stunt coordinator in this arthouse fiction cult classic. He is in charge of horses on a western being shot in a small Peruvian village. He thinks he has found paradise, but is soon called in to help in a bizarre incident: the Peruvian natives are "filming" their own movie with "cameras" made of sticks, and acting out real western movie violence, as they don't understand movie fakery. (ENG)
GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee/Caveat.


Practical information

Art Cinema OFFoff
(Inside Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Tickets can be bought at the entrance (8 euros / 5 euros - reduction)

Full programme - A season of truth and reconciliation
The last movie 3

RELATED WORK PERIODS