#21: Live with the exhibition, spend time with it.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#91: Embrace doubt.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#91: Embrace doubt.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#20: Are exhibitions the most suitable form for the art that we present?|
