#91: Embrace doubt.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#98: The success of it will not lie in the result but in the process.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#91: Embrace doubt.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#98: The success of it will not lie in the result but in the process.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|
