#4: Pay what you can.|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#28: Make Contracts.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#61: No all male install teams.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#21: Live with the exhibition, spend time with it.|#98: The success of it will not lie in the result but in the process.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#4: Pay what you can.|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#28: Make Contracts.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#61: No all male install teams.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#21: Live with the exhibition, spend time with it.|#98: The success of it will not lie in the result but in the process.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
