#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#19: Have fun at the exhibition.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#17: An exhibition is never finished.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#19: Have fun at the exhibition.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#17: An exhibition is never finished.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|
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01.08.2020 17:00

Elien Ronse, Stijn Van Dorpe, Roger Fähndrich / Zomersalon: Buy Local

Pay what you can

Happening:
Tranen van de Kunstmarkt

In the context of Zomersalon Buy Local we come together to collect tears from the art market. A happening in Kunsthal where we share stories about the selling, buying and owning of art from different perspectives. Everybody is welcome to listen and/or share stories, anecdotes, small performances, reflections on the topic of commodification and the market. Every contribution is represented by a tear in the bottle.

Remember to subscribe via https://docs.google.com/forms/d/1NXJ4H0LC0XmgAWxpSAWfgMWuRUpDGx5ikfxjEYvIZPA/edit?ts=5f1ee1ce.

More information: Zomersalon Buy Local

Tranen copy

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