#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#10: Don’t be obsessed with numbers.|#35: The artist fee should be good.|#28: Make Contracts.|#56: Take a lunch break.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#10: Don’t be obsessed with numbers.|#35: The artist fee should be good.|#28: Make Contracts.|#56: Take a lunch break.|
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01.08.2020 17:00

Elien Ronse, Stijn Van Dorpe, Roger Fähndrich / Zomersalon: Buy Local

Pay what you can

Happening:
Tranen van de Kunstmarkt

In the context of Zomersalon Buy Local we come together to collect tears from the art market. A happening in Kunsthal where we share stories about the selling, buying and owning of art from different perspectives. Everybody is welcome to listen and/or share stories, anecdotes, small performances, reflections on the topic of commodification and the market. Every contribution is represented by a tear in the bottle.

Remember to subscribe via https://docs.google.com/forms/d/1NXJ4H0LC0XmgAWxpSAWfgMWuRUpDGx5ikfxjEYvIZPA/edit?ts=5f1ee1ce.

More information: Zomersalon Buy Local

Tranen copy

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