#14: Can you also remain a toddler institution?|#36: We support production separately.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|
