#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#124: Do less, do it better.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#62: Be kind. Full dishwasher: empty it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#124: Do less, do it better.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#62: Be kind. Full dishwasher: empty it.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Initiated by members of Knowledge Is A Does (KIAD) and with special contributions by Rory Pilgrim, Brendan Curtis and Sarah Browne, we present a selection of videos, performance and sound based works. Disassemblies 9, a reading group and evening programme, explore Vanessa Agard-Jones’ theory on bodies in systems, which she defines as a movement directing us from the innards of embodiment to the space of global capital. The scores, spells and fragments will be explored in the space and on the pages to explore the ways in which meaning and power can be re-charted.

With: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Full programme: €10 (RSVP to info@offoff.be)
Evening programme: €8 / €5 (reduction)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

IMAGES
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist