#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#28: Make Contracts.|#2: Bring something new to the city of Ghent.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#28: Make Contracts.|#2: Bring something new to the city of Ghent.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#44: No name tags at dinner.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Initiated by members of Knowledge Is A Does (KIAD) and with special contributions by Rory Pilgrim, Brendan Curtis and Sarah Browne, we present a selection of videos, performance and sound based works. Disassemblies 9, a reading group and evening programme, explore Vanessa Agard-Jones’ theory on bodies in systems, which she defines as a movement directing us from the innards of embodiment to the space of global capital. The scores, spells and fragments will be explored in the space and on the pages to explore the ways in which meaning and power can be re-charted.

With: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Full programme: €10 (RSVP to info@offoff.be)
Evening programme: €8 / €5 (reduction)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

IMAGES
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist