#92: We’re a learning organisation.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#107: Build a community / scene.|#29: We make the program for the artist that we exhibit.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#61: No all male install teams.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#107: Build a community / scene.|#29: We make the program for the artist that we exhibit.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#61: No all male install teams.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Initiated by members of Knowledge Is A Does (KIAD) and with special contributions by Rory Pilgrim, Brendan Curtis and Sarah Browne, we present a selection of videos, performance and sound based works. Disassemblies 9, a reading group and evening programme, explore Vanessa Agard-Jones’ theory on bodies in systems, which she defines as a movement directing us from the innards of embodiment to the space of global capital. The scores, spells and fragments will be explored in the space and on the pages to explore the ways in which meaning and power can be re-charted.

With: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Full programme: €10 (RSVP to info@offoff.be)
Evening programme: €8 / €5 (reduction)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

IMAGES
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist