#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#81: Things come alive when there is friction.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#61: No all male install teams.|#34: We pay artists.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#81: Things come alive when there is friction.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#61: No all male install teams.|#34: We pay artists.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Initiated by members of Knowledge Is A Does (KIAD) and with special contributions by Rory Pilgrim, Brendan Curtis and Sarah Browne, we present a selection of videos, performance and sound based works. Disassemblies 9, a reading group and evening programme, explore Vanessa Agard-Jones’ theory on bodies in systems, which she defines as a movement directing us from the innards of embodiment to the space of global capital. The scores, spells and fragments will be explored in the space and on the pages to explore the ways in which meaning and power can be re-charted.

With: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Full programme: €10 (RSVP to info@offoff.be)
Evening programme: €8 / €5 (reduction)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

IMAGES
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist