#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#4: Pay what you can.|#51: How do we invite the true unknown?|#36: We support production separately.|#19: Have fun at the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#40: Follow the artist|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#4: Pay what you can.|#51: How do we invite the true unknown?|#36: We support production separately.|#19: Have fun at the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#40: Follow the artist|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Initiated by members of Knowledge Is A Does (KIAD) and with special contributions by Rory Pilgrim, Brendan Curtis and Sarah Browne, we present a selection of videos, performance and sound based works. Disassemblies 9, a reading group and evening programme, explore Vanessa Agard-Jones’ theory on bodies in systems, which she defines as a movement directing us from the innards of embodiment to the space of global capital. The scores, spells and fragments will be explored in the space and on the pages to explore the ways in which meaning and power can be re-charted.

With: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Full programme: €10 (RSVP to info@offoff.be)
Evening programme: €8 / €5 (reduction)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

IMAGES
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist