#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#119: Be a space of production.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#119: Be a space of production.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|