#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#84: The White Cube is a lie.|#91: Embrace doubt.|#35: The artist fee should be good.|#107: Build a community / scene.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#111: Do it together.|#61: No all male install teams.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#84: The White Cube is a lie.|#91: Embrace doubt.|#35: The artist fee should be good.|#107: Build a community / scene.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#111: Do it together.|#61: No all male install teams.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|