#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#36: We support production separately.|#81: Things come alive when there is friction.|#56: Take a lunch break.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#111: Do it together.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#36: We support production separately.|#81: Things come alive when there is friction.|#56: Take a lunch break.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#111: Do it together.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|