#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#92: We’re a learning organisation.|#40: Follow the artist|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#107: Build a community / scene.|#17: An exhibition is never finished.|#54: What about disabled artists?|#28: Make Contracts.|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#92: We’re a learning organisation.|#40: Follow the artist|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#107: Build a community / scene.|#17: An exhibition is never finished.|#54: What about disabled artists?|#28: Make Contracts.|
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13—15.02.2020 14:00

installation & talks

Pay what you can

NEIN presents:
Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop is a brand new arts festival at CAMPO victoria and Kunsthal Ghent. Next to showcasing international artists that blur the boundaries between performance and visual art, the programme aims to reflect on the ecology of a contemporary arts festival by applying the circle of sustainability and by showing the invisible layers of presentation moments.

For three days a temporary exhibition layer of art installations and beds are placed in Kunsthal Gent. This reproductive zone of the arts festival Enter Through The Void, Exit Through The Gift Shop is installed to provide an accommodation for the performance artists that show their work at CAMPO victoria during the arts festival.

Each day this zone of care is complemented by daily talks hosted by Engagement arts, Caveat & Curators Anonymous.

━━━ Tents by artists ━ 14:00 - 18:00 ━━━

Leon de Bruijne
Lieselot Siddiki & Luka Lazhuli
Shervin Sheikh Rezaei
Juliet Merie & Charlotte Stuby
Helen Van de Vloet
Egon Van Herreweghe
Astrid Demaziere
Lara Grimmelprez
Olivier Goethals
Romain Tallet

━━━ Talks ━ 15:00 - 17:00 ━━━

☿ 13.02 / Engagement arts ☿
Engagement is an artist-led movement tackling sexual harassment, sexism and power abuse in the Belgian arts field.

❤ 14.02 / Caveat ❤
Caveat is a collective research project reflecting and acting on the ecology of artistic practice.

♚ 15.02 / Curators Anonymous ♚
Curators Anonymous, is a non-profit, non-affiliated association of curators in Belgium, founded in 2019 offering a platform for exchange on pressing issues affecting curators.


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Enter Through The Void, Exit Through The Gift Shop is supported by CAMPO, Kunsthal Gent, d e t h e a t e r m a k e r, Stad Gent, Cultuur Gent, Kingdom of the Netherlands and the Flemish Government.

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