#89: Build-in impurity within the organisation.|#36: We support production separately.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#14: Can you also remain a toddler institution?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#91: Embrace doubt.|#26: More artists, less borders.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#36: We support production separately.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#14: Can you also remain a toddler institution?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#91: Embrace doubt.|#26: More artists, less borders.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|
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24.04.2021 20:00

Nocturne

Pay what you can

Heritage Day:
Video - Roger Van Bockstaele over het Oud Huis

Erfgoeddag (Heritage Day) — De Nacht

During Heritage Day 2021, we open at night. All exhibitions can be visited, a new exhibition (Bioscopic Books) opens and we present a video interview with the Honorary Dean of Patershol, Roger Van Bockstaele (98), who delves into his memory about the history of the Old House and the 15th century mural (video: Shivadas De Schrijver.)

Saturday 24 April, 20:00 - 22:00

Honorary "Deken" Roger Van Bockstaele on the Old House
De nacht erfgoeddag