#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#90: The best systems have a failure or ‘a hole’ in them…|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#90: The best systems have a failure or ‘a hole’ in them…|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|