#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|
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24.04.2022 11:00

Pay what you can

Erfgoedddag 2022

Erfgoeddag (Heritage Day)

Op Erfgoeddag 2022 the entire building of Kunsthal Gent is freely accessible from 11.00 - 18.00.

All exhibitions are opens and we present two video interviews with the Honorary Dean of Patershol, Roger Van Bockstaele (99), who delves into his memory about the history of the Hall church, the Old House and the 15th century mural (videos: Shivadas De Schrijver.)

EGD 2022 campagnebeeld publiek