#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#90: The best systems have a failure or ‘a hole’ in them…|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#90: The best systems have a failure or ‘a hole’ in them…|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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24.04.2022 11:00

Pay what you can

Erfgoedddag 2022

Erfgoeddag (Heritage Day)

Op Erfgoeddag 2022 the entire building of Kunsthal Gent is freely accessible from 11.00 - 18.00.

All exhibitions are opens and we present two video interviews with the Honorary Dean of Patershol, Roger Van Bockstaele (99), who delves into his memory about the history of the Hall church, the Old House and the 15th century mural (videos: Shivadas De Schrijver.)

EGD 2022 campagnebeeld publiek