#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#124: Do less, do it better.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#111: Do it together.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#56: Take a lunch break.|#54: What about disabled artists?|#37: Operate with radical transparency.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#124: Do less, do it better.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#111: Do it together.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#56: Take a lunch break.|#54: What about disabled artists?|#37: Operate with radical transparency.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|
