#20: Are exhibitions the most suitable form for the art that we present?|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#119: Be a space of production.|#61: No all male install teams.|#37: Operate with radical transparency.|#111: Do it together.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#119: Be a space of production.|#61: No all male install teams.|#37: Operate with radical transparency.|#111: Do it together.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|
