#56: Take a lunch break.|#61: No all male install teams.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#29: We make the program for the artist that we exhibit.|#62: Be kind. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#26: More artists, less borders.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#17: An exhibition is never finished.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#56: Take a lunch break.|#61: No all male install teams.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#29: We make the program for the artist that we exhibit.|#62: Be kind. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#26: More artists, less borders.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#17: An exhibition is never finished.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#28: Make Contracts.|
