#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#124: Do less, do it better.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#111: Do it together.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#56: Take a lunch break.|#54: What about disabled artists?|#37: Operate with radical transparency.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#124: Do less, do it better.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#111: Do it together.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#56: Take a lunch break.|#54: What about disabled artists?|#37: Operate with radical transparency.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|
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29.08.2021 12:00

Sunday 8 and 29 August

Pay what you can

Photographers in the picture:
Artist Talks On The Spot - Mentormentor

Fotografen in the picture op zondag 8 en 29 augustus

Mentormentor puts photographers in the picture during the Artist Talks On The Spot, the weekly artist talks during Zomersalon 2021. You can find the artists close to their work, where they will give a talk and answer questions about their artistic practice. An excellent opportunity to get to know them better.

On Sunday 8 and 29 August, there will be a special focus on the photographers in Zomersalon, with a.o. Bert Bossaert - Arian Christiaens - Veerle Deforce - Ann-Sophie Deproost - Jan De Wilde - Els Dierick - Anja Hellebaut - Hanne Lamon - Pieter Michiels - Karel Saelaert - Tomas Uyttendaele - Els Vandenberghe - Sarah Eechaut and others.

The artist talks start at 12.00. 14.00 and 16.00. Discover who you can meet and when in the up-to-date calendar.

Mentormentor

This event is organized together with Mentormentor. Mentormentor offers professional support to photographers in personal trajectories and in a critical manner. It is a sounding board for photographers who are working autonomously on an oeuvre and who want to take a step forward in their artistic career.

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