#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#81: Things come alive when there is friction.|#39: Be the early stepping stone in an artist’s career|#64: Arrange a distribution of forces.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#20: Are exhibitions the most suitable form for the art that we present?|#15: Kunsthal Gent aims to be an extension of public space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#54: What about disabled artists?|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#81: Things come alive when there is friction.|#39: Be the early stepping stone in an artist’s career|#64: Arrange a distribution of forces.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#20: Are exhibitions the most suitable form for the art that we present?|#15: Kunsthal Gent aims to be an extension of public space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#54: What about disabled artists?|
