#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#84: The White Cube is a lie.|#4: Pay what you can.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#21: Live with the exhibition, spend time with it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#17: An exhibition is never finished.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#84: The White Cube is a lie.|#4: Pay what you can.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#21: Live with the exhibition, spend time with it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#17: An exhibition is never finished.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
