#56: Take a lunch break.|#74: Last one out turns of the lights.|#61: No all male install teams.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#111: Do it together.|#105: Kunsthal Gent is local in scale, but globally connected.|#26: More artists, less borders.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#53: Immaterial support for artists is important.|#36: We support production separately.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#61: No all male install teams.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#111: Do it together.|#105: Kunsthal Gent is local in scale, but globally connected.|#26: More artists, less borders.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#53: Immaterial support for artists is important.|#36: We support production separately.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|