#107: Build a community / scene.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#19: Have fun at the exhibition.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#94: No objections? Just do it.|#40: Follow the artist|#119: Be a space of production.|#51: How do we invite the true unknown?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#19: Have fun at the exhibition.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#94: No objections? Just do it.|#40: Follow the artist|#119: Be a space of production.|#51: How do we invite the true unknown?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|
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15—24.07.2022 11:00

Pay what you can

Gentse Feesten 2022

Kunsthal Gent is open daily during the Gentse Feesten.

15 - 24 July 2022

11:00 — 18:00

Tours

An open guided tour in Kunsthal Gent starts every day at 11:00.

Interested in a larger group or at a different time? Book via the button below!

Permanent: Endless Exhibition

Kunsthal Gent is experimenting with new ways of making exhibitions. For example, three times a year a new work is added to the Endless Exhibition, a slowly changing exhibition.

With: Prem Krishnamurthy, Thomas Renwart, Martin Belou, Charlotte Stuby, Eva Fabregas, Rudy Guedj, Felix Kindermann, Bram De Jonghe, Olivier Goethals, Jesse Jones, Thomas Min and Egon Van Herreweghe and Joelle Tuerlinckx.

Temporary exhibition: Grace Schwindt

At the top of the pavilion, Grace Schwindt (Germany 1979) shows the video performance Your Movement: an intimate and equal encounter with a body on the screen. Schwindt also created several sculptures in ceramics and bronze.

Syllabus Summer School

Summer School with various activities around the monumental work 'Syllabus' by the Irish artist Jesse Jones. How do we create a space of shared cultural commonality after two years of isolation?


More information about Syllabus Summer School will follow shortly.

MDC KH jessejones 021 HR