#21: Live with the exhibition, spend time with it.|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#111: Do it together.|#132: Things will always look weird when you’re the first doing it.|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#26: More artists, less borders.|#21: Live with the exhibition, spend time with it.|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#111: Do it together.|#132: Things will always look weird when you’re the first doing it.|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#26: More artists, less borders.|
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15—24.07.2022 11:00

Pay what you can

Gentse Feesten 2022

Kunsthal Gent is open daily during the Gentse Feesten.

15 - 24 July 2022

11:00 — 18:00

Tours

An open guided tour in Kunsthal Gent starts every day at 11:00.

Interested in a larger group or at a different time? Book via the button below!

Permanent: Endless Exhibition

Kunsthal Gent is experimenting with new ways of making exhibitions. For example, three times a year a new work is added to the Endless Exhibition, a slowly changing exhibition.

With: Prem Krishnamurthy, Thomas Renwart, Martin Belou, Charlotte Stuby, Eva Fabregas, Rudy Guedj, Felix Kindermann, Bram De Jonghe, Olivier Goethals, Jesse Jones, Thomas Min and Egon Van Herreweghe and Joelle Tuerlinckx.

Temporary exhibition: Grace Schwindt

At the top of the pavilion, Grace Schwindt (Germany 1979) shows the video performance Your Movement: an intimate and equal encounter with a body on the screen. Schwindt also created several sculptures in ceramics and bronze.

Syllabus Summer School

Summer School with various activities around the monumental work 'Syllabus' by the Irish artist Jesse Jones. How do we create a space of shared cultural commonality after two years of isolation?


More information about Syllabus Summer School will follow shortly.

MDC KH jessejones 021 HR