#37: Operate with radical transparency.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#21: Live with the exhibition, spend time with it.|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#107: Build a community / scene.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#91: Embrace doubt.|#17: An exhibition is never finished.|#64: Arrange a distribution of forces.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#84: The White Cube is a lie.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#37: Operate with radical transparency.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#21: Live with the exhibition, spend time with it.|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#107: Build a community / scene.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#91: Embrace doubt.|#17: An exhibition is never finished.|#64: Arrange a distribution of forces.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#84: The White Cube is a lie.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
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15—24.07.2022 11:00

Pay what you can

Gentse Feesten 2022

Kunsthal Gent is open daily during the Gentse Feesten.

15 - 24 July 2022

11:00 — 18:00

Tours

An open guided tour in Kunsthal Gent starts every day at 11:00.

Interested in a larger group or at a different time? Book via the button below!

Permanent: Endless Exhibition

Kunsthal Gent is experimenting with new ways of making exhibitions. For example, three times a year a new work is added to the Endless Exhibition, a slowly changing exhibition.

With: Prem Krishnamurthy, Thomas Renwart, Martin Belou, Charlotte Stuby, Eva Fabregas, Rudy Guedj, Felix Kindermann, Bram De Jonghe, Olivier Goethals, Jesse Jones, Thomas Min and Egon Van Herreweghe and Joelle Tuerlinckx.

Temporary exhibition: Grace Schwindt

At the top of the pavilion, Grace Schwindt (Germany 1979) shows the video performance Your Movement: an intimate and equal encounter with a body on the screen. Schwindt also created several sculptures in ceramics and bronze.

Syllabus Summer School

Summer School with various activities around the monumental work 'Syllabus' by the Irish artist Jesse Jones. How do we create a space of shared cultural commonality after two years of isolation?


More information about Syllabus Summer School will follow shortly.

MDC KH jessejones 021 HR