#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#89: Build-in impurity within the organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#34: We pay artists.|#36: We support production separately.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#89: Build-in impurity within the organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#34: We pay artists.|#36: We support production separately.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
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15—24.07.2022 11:00

Pay what you can

Gentse Feesten 2022

Kunsthal Gent is open daily during the Gentse Feesten.

15 - 24 July 2022

11:00 — 18:00

Tours

An open guided tour in Kunsthal Gent starts every day at 11:00.

Interested in a larger group or at a different time? Book via the button below!

Permanent: Endless Exhibition

Kunsthal Gent is experimenting with new ways of making exhibitions. For example, three times a year a new work is added to the Endless Exhibition, a slowly changing exhibition.

With: Prem Krishnamurthy, Thomas Renwart, Martin Belou, Charlotte Stuby, Eva Fabregas, Rudy Guedj, Felix Kindermann, Bram De Jonghe, Olivier Goethals, Jesse Jones, Thomas Min and Egon Van Herreweghe and Joelle Tuerlinckx.

Temporary exhibition: Grace Schwindt

At the top of the pavilion, Grace Schwindt (Germany 1979) shows the video performance Your Movement: an intimate and equal encounter with a body on the screen. Schwindt also created several sculptures in ceramics and bronze.

Syllabus Summer School

Summer School with various activities around the monumental work 'Syllabus' by the Irish artist Jesse Jones. How do we create a space of shared cultural commonality after two years of isolation?


More information about Syllabus Summer School will follow shortly.

MDC KH jessejones 021 HR