#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#14: Can you also remain a toddler institution?|#127: Remain practical: what happens to the work in an endless exhibition?|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#61: No all male install teams.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#14: Can you also remain a toddler institution?|#127: Remain practical: what happens to the work in an endless exhibition?|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#61: No all male install teams.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#56: Take a lunch break.|