#16: Kunsthal Gent will always be a construction site.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#84: The White Cube is a lie.|#61: No all male install teams.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#84: The White Cube is a lie.|#61: No all male install teams.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|
