#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#6: Demand that visitors are active.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#84: The White Cube is a lie.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#6: Demand that visitors are active.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#84: The White Cube is a lie.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
