#10: Don’t be obsessed with numbers.|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#36: We support production separately.|#61: No all male install teams.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#28: Make Contracts.|#105: Kunsthal Gent is local in scale, but globally connected.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#10: Don’t be obsessed with numbers.|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#36: We support production separately.|#61: No all male install teams.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#28: Make Contracts.|#105: Kunsthal Gent is local in scale, but globally connected.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
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21.01.2022 20:00

Film Program in collaboration with OFFoff & Kunsthal Gent

Pay what you can

Gouvernement presents:
Night Shift @GIF (Ghent International Festival) - Short Film Program

Departing from hair (‘haar’ in Dutch) that was ‘brotherlovely’ shaven, thoughtfully brushed, tenderly cut and magically braided, filmmaker Julie Daems ‘spins’ a program of 7 shorts in a row by various young directors. This night delivers 7 mini-trips to these personal universes where loving hands are out to meet her (also ‘haar’ in Dutch), the other, her love. Sit back for a titillating ride in the good company of poetic short films at OFFoff, in the cinema of Kunsthal Gent.

Curated by Julie Daems

Presented by Gouvernement in collaboration with OFFoff Art Cinema and Kunsthal Gent

In the context of Ghent International Festival (GIF)

TIME TABLE

Zaur Kourazov

Brood

BE • 2017 • 9' • colour • digital

Katerina Indesteege

Wat jij nalaat

BE • 2021 • 14' • colour • digital

Julie Daems

De Opmerkelijke Genezing van Luna

BE • 2018 • 15' • colour • digital

Marthe Peeters

Warme Obsessie

BE • 2020 • 3' • colour • digital

Mélanie Robert-Tourneur

Tout Contre toi

BE • 2020 • 6' • colour • digital

Charles Dhondt

Wow Sophia, Wow

BE • 2016 • 17' • colour • digital

Anaïs Kaboré

Mixed

BE • 2020 • 18' • colour • digital

More info on Gouvernement's website
Kortfilms