#10: Don’t be obsessed with numbers.|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#36: We support production separately.|#61: No all male install teams.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#28: Make Contracts.|#105: Kunsthal Gent is local in scale, but globally connected.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#10: Don’t be obsessed with numbers.|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#36: We support production separately.|#61: No all male install teams.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#28: Make Contracts.|#105: Kunsthal Gent is local in scale, but globally connected.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
