#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#16: Kunsthal Gent will always be a construction site.|#56: Take a lunch break.|#19: Have fun at the exhibition.|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#16: Kunsthal Gent will always be a construction site.|#56: Take a lunch break.|#19: Have fun at the exhibition.|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|
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21.01.2022 20:00

Film Program in collaboration with OFFoff & Kunsthal Gent

Pay what you can

Gouvernement presents:
Night Shift @GIF (Ghent International Festival) - Short Film Program

Departing from hair (‘haar’ in Dutch) that was ‘brotherlovely’ shaven, thoughtfully brushed, tenderly cut and magically braided, filmmaker Julie Daems ‘spins’ a program of 7 shorts in a row by various young directors. This night delivers 7 mini-trips to these personal universes where loving hands are out to meet her (also ‘haar’ in Dutch), the other, her love. Sit back for a titillating ride in the good company of poetic short films at OFFoff, in the cinema of Kunsthal Gent.

Curated by Julie Daems

Presented by Gouvernement in collaboration with OFFoff Art Cinema and Kunsthal Gent

In the context of Ghent International Festival (GIF)

TIME TABLE

Zaur Kourazov

Brood

BE • 2017 • 9' • colour • digital

Katerina Indesteege

Wat jij nalaat

BE • 2021 • 14' • colour • digital

Julie Daems

De Opmerkelijke Genezing van Luna

BE • 2018 • 15' • colour • digital

Marthe Peeters

Warme Obsessie

BE • 2020 • 3' • colour • digital

Mélanie Robert-Tourneur

Tout Contre toi

BE • 2020 • 6' • colour • digital

Charles Dhondt

Wow Sophia, Wow

BE • 2016 • 17' • colour • digital

Anaïs Kaboré

Mixed

BE • 2020 • 18' • colour • digital

More info on Gouvernement's website
Kortfilms