#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
