#34: We pay artists.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#89: Build-in impurity within the organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#36: We support production separately.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#34: We pay artists.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#89: Build-in impurity within the organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#36: We support production separately.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#26: More artists, less borders.|#99: Evolve according to changing needs.|
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09—11.08.2019 18:00

Pay what you can

PATERSHOLFEESTEN IN KUNSTHAL GENT:
CONFETTI, PERFORMANCES EN RONDLEIDINGEN

PROGRAMME PATERSHOLFEESTEN IN KUNSTHAL GENT


FRIDAY 9 AUGUST - EVERYTHING IS AT PLAY: Apparatus 22 takes over Kunsthal Gent

18:00 - 0:00: exhibitions, garden and bar open
19:30 - 20:30: an epic confetti celebration and performances by Apparatus 22 RO/BE), Irina Bujor (RO) featuring opera singer Nadia Hidali (BE) and video performance by Farid Fairuz (LB/RO).


SATURDAY 10 AUGUST

11:00 - 18:00: exhibitions, garden and bar open
14:00: guided tour of Kunsthal Gent - start at the counter, duration: ±45 min, Dutch spoken.


SUNDAY 11 AUGUST

11:00 - 22:00: exhibitions, garden and bar open
14:00: guided tour of Kunsthal Gent - start at the desk, duration: ±45 min, Dutch spoken
19:30: MONOLOGUE INTÉRIEUR - alternative tour. Concept: Lieselotte Egtberts, performer: Maïthé Truyens. Start at the desk, duration: ±30 min, Dutch spoken, max. 15 participants.


IMAGES
1.-Apparatus-22-positive-tension-MQ