#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#34: We pay artists.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#28: Make Contracts.|#81: Things come alive when there is friction.|#56: Take a lunch break.|#65: No excuses: Thursday morning, team meeting.|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#34: We pay artists.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#28: Make Contracts.|#81: Things come alive when there is friction.|#56: Take a lunch break.|#65: No excuses: Thursday morning, team meeting.|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|
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09—11.08.2019 18:00

Pay what you can

PATERSHOLFEESTEN IN KUNSTHAL GENT:
CONFETTI, PERFORMANCES EN RONDLEIDINGEN

PROGRAMME PATERSHOLFEESTEN IN KUNSTHAL GENT


FRIDAY 9 AUGUST - EVERYTHING IS AT PLAY: Apparatus 22 takes over Kunsthal Gent

18:00 - 0:00: exhibitions, garden and bar open
19:30 - 20:30: an epic confetti celebration and performances by Apparatus 22 RO/BE), Irina Bujor (RO) featuring opera singer Nadia Hidali (BE) and video performance by Farid Fairuz (LB/RO).


SATURDAY 10 AUGUST

11:00 - 18:00: exhibitions, garden and bar open
14:00: guided tour of Kunsthal Gent - start at the counter, duration: ±45 min, Dutch spoken.


SUNDAY 11 AUGUST

11:00 - 22:00: exhibitions, garden and bar open
14:00: guided tour of Kunsthal Gent - start at the desk, duration: ±45 min, Dutch spoken
19:30: MONOLOGUE INTÉRIEUR - alternative tour. Concept: Lieselotte Egtberts, performer: Maïthé Truyens. Start at the desk, duration: ±30 min, Dutch spoken, max. 15 participants.


IMAGES
1.-Apparatus-22-positive-tension-MQ