#3: Entrance to all exhibitions at Kunsthal Gent is free.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#81: Things come alive when there is friction.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#81: Things come alive when there is friction.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|
