#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#17: An exhibition is never finished.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#17: An exhibition is never finished.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#56: Take a lunch break.|
