#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#44: No name tags at dinner.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#94: No objections? Just do it.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#44: No name tags at dinner.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#94: No objections? Just do it.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
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26.02.2021 20:00

Development Programme

Pay what you can

The Post Collective:
HOW TO BUILD UP A COLLECTIVE IN COVID TIMES

Friday 26 February, 20:00
Online via zoom (you will receive the link after reservation.)

How to build up a collective in Covid times

At the beginning of 2020, the Post Collective (POCO), a group of refugees, asylum seekers, sans papiers and accomplices, took the brave step, together with Kunsthal Gent's support within their residency programme, to speculate on how they might work together in a co-creative, commoning way. And this acknowledging the fact that they have different legal and social statuses/ rights, creative practices, cultures, languages, ages, genders, needs, privileges, accesses, and exclusions within society.

In March 2020, the covid pandemic hit society hard, and specifically, it hit the intersections on which POCO were standing. Many opportunities were taken away and with this the possibility to work together in the same space. They adapted their approaches and invented new ways of staying united and engaged while being physically distanced.

In this 1.5h presentation, POCO will share with the audience their experiences in art making, organizing, communicating, experimenting with online meeting platforms, standing together in solidarity through loneliness, fear, instability, health and sickness, legal processes, and the ever pressing bills for the supermarket and housing.

Through our polyphonic and trans-lingual narratives, using a hybrid of different media (illustration, storytelling, sound poetry, video, photography, music) we want to create an environment within this presentation that welcomes discussion with the audience on the importance of initiating forms of collectivity locally and globally in covid times.

The Post Collective are: Mirra Markhaeva (Buryatia), Sawsan Maher (Syria), Marcus Bergner (Australia), Elli Vassalou (Greece), Mohammed Tawfiq (Iraq), Mahammed Alimu (Somalia) and Hooman Jalidi (Iran).

Image by Mirra Markhaeva

Article on The Post Collective on www.kunsten.be
Covid god