#2: Bring something new to the city of Ghent.|#105: Kunsthal Gent is local in scale, but globally connected.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#62: Be kind. Full dishwasher: empty it.|#26: More artists, less borders.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#105: Kunsthal Gent is local in scale, but globally connected.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#62: Be kind. Full dishwasher: empty it.|#26: More artists, less borders.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|
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28.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
James Benning

11 x 14, James Benning
—US, 1976, 81’, kleur, 35mm

James Benning's first feature film 11 x 14 is a milestone in the American avant-garde. Through 65 sublimely elaborated shots of provincial life and suburban domesticity, this travelogue takes you to rural America and the grey slums of Chicago with the world's tallest skyscraper - at the time - as a vanishing point.

Tickets: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/james-benning/

OEFM Benning 11x14 06 1024x768