#44: No name tags at dinner.|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#89: Build-in impurity within the organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#19: Have fun at the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#89: Build-in impurity within the organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#19: Have fun at the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
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28.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
James Benning

11 x 14, James Benning
—US, 1976, 81’, kleur, 35mm

James Benning's first feature film 11 x 14 is a milestone in the American avant-garde. Through 65 sublimely elaborated shots of provincial life and suburban domesticity, this travelogue takes you to rural America and the grey slums of Chicago with the world's tallest skyscraper - at the time - as a vanishing point.

Tickets: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/james-benning/

OEFM Benning 11x14 06 1024x768