#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#34: We pay artists.|#40: Follow the artist|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#54: What about disabled artists?|#111: Do it together.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#34: We pay artists.|#40: Follow the artist|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#54: What about disabled artists?|#111: Do it together.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|