#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#94: No objections? Just do it.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#10: Don’t be obsessed with numbers.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#36: We support production separately.|#53: Immaterial support for artists is important.|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#94: No objections? Just do it.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#10: Don’t be obsessed with numbers.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#36: We support production separately.|#53: Immaterial support for artists is important.|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|
