#99: Evolve according to changing needs.|#36: We support production separately.|#68: Once in a while we need to get out of utopia and get something done.|#91: Embrace doubt.|#137: Use the publication as programming space|#28: Make Contracts.|#111: Do it together.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#26: More artists, less borders.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#4: Pay what you can.|#51: How do we invite the true unknown?|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#61: No all male install teams.|#107: Build a community / scene.|#14: Can you also remain a toddler institution?|#99: Evolve according to changing needs.|#36: We support production separately.|#68: Once in a while we need to get out of utopia and get something done.|#91: Embrace doubt.|#137: Use the publication as programming space|#28: Make Contracts.|#111: Do it together.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#26: More artists, less borders.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#4: Pay what you can.|#51: How do we invite the true unknown?|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#61: No all male install teams.|#107: Build a community / scene.|#14: Can you also remain a toddler institution?|
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15.11.2023 20:00

Book launch + concert

Pay what you can

Jan Wallyn: Een Doodgewone Dag

On Wednesday 15 November, Jan Wallyn is coming to Kunsthal Gent to introduce their new book. After working as director at art centre Zinnemma, they wrote 'Een Doodgewone Dag'. Step into the life of Jan, a creative Brussels native, and their quest for (gender) identity: hilarious scenes.

During an evening of literary delight, Wallyn will talk about their book and about what it is like to seek and find a place as a non-binary person in today's society. Followed by a gender release party with the leftfield electro band WALLYN!

With Standaard Uitgeverij, Paard Van Toje, rokko & Humanistisch Verbond

SEELONCE cover
WALLYN

WALLYN is a left-field electro band. A queer utopia. A gender release party.

To the beats and voice of Jan Wallyn, you will be introduced to their nostalgically futuristic music that dreams of another world. Behind the drums, Sam Renascent does not go unnoticed. Standing alone, he whips the rhythm into high gear.

For this evening at Kunsthal Gent, WALLYN is preparing an extra intimate set.

Schermafbeelding 2023 10 24 om 13 00 41
Een doodgewone dag Jan Wallyn