#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#94: No objections? Just do it.|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#89: Build-in impurity within the organisation.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#94: No objections? Just do it.|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#89: Build-in impurity within the organisation.|#26: More artists, less borders.|
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17.02.2020 20:00

film screenings

Pay what you can

art cinema OFFoff presents:
Jasper Rigole – Home Movies

Artist and filmmaker Jasper Rigole collects amateur films, travelogues and family documents at the IICADOM archive (The International Institute for the Conservation, Archiving and Distribution of Other People’s Memories). OFFoff will screen two of his single screen films made of such archival footage.


Jasper Rigole - Paradise Recollected
BE • 2008 • 33' • colour • 16mm

As a blend of ironic mockumentary and filmic essay, Paradise Recollected delves into the motives behind the making of home movies as well as the elements that characterise their visual content. The film is a poetic study of home movies as a kind of portrayal of the leisure culture that arose parallel with the advent of the inexpensive Super 8 cameras in the 1960s.


Jasper Rigole - Temps Mort
BE • 2010 • 20' • colour • 16mm

Temps Mort is one of IICADOM’s categories used to designate the archival material collected from the end of the film stock, which content was the result from the amateur film maker’s need to fill the film roll to the end before sending it for processing. In effect a way of killing time, these images do not depict the “unique” moments of which the archive mainly consists, but commonplace, banal scenes.

Jasper Rigole