#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#91: Embrace doubt.|#54: What about disabled artists?|#6: Demand that visitors are active.|#84: The White Cube is a lie.|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#91: Embrace doubt.|#54: What about disabled artists?|#6: Demand that visitors are active.|#84: The White Cube is a lie.|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|
