#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#107: Build a community / scene.|#84: The White Cube is a lie.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#107: Build a community / scene.|#84: The White Cube is a lie.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|
