#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#26: More artists, less borders.|#44: No name tags at dinner.|#36: We support production separately.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#26: More artists, less borders.|#44: No name tags at dinner.|#36: We support production separately.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
