#15: Kunsthal Gent aims to be an extension of public space.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#15: Kunsthal Gent aims to be an extension of public space.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|
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02.12.2022 16:30

Public sharing moment

Pay what you can

Jubilee presents: Emptor - Whose Institution?

After 'What does it mean to own?' and 'Whose Artwork?', Kunsthal Gent hosts and participates in a third Assembly of Practice organised by Jubilee - Emptor: a closed collective reflection on the question 'Whose institution?'.

In an encounter with the practices of the different engaged institutions in the project (Kunsthal Gent, Jester, Apass and BUDA) Emptor explores how ownership plays out within their functioning and affects who has access, what is shown and how we valorise art.

Reflections situate themselves on site in dialogue with Grace Ndiritu on the development trajectory 'Ghent:how to live together?' (Kunsthal Gent, 2021) and in time by responding to what happened at 'documenta #15 - lumbung 1'.

In an attempt to publish and perform the ongoing reflection we welcome the public for a shared moment from 16:30:


Public programme
Jubilee

Founded in Brussels in 2012, Jubilee has developed into a polyphonic artist-run organisation that supports the work and research of its artists, as well as the projects of associated artists within collective reflection trajectories. Jubilee's most comprehensive collective trajectories to date are Caveat (2017-...) and Emptor (2021-...).

Jubilee L