#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#40: Follow the artist|#6: Demand that visitors are active.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#40: Follow the artist|#6: Demand that visitors are active.|
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02.12.2022 16:30

Public sharing moment

Pay what you can

Jubilee presents: Emptor - Whose Institution?

After 'What does it mean to own?' and 'Whose Artwork?', Kunsthal Gent hosts and participates in a third Assembly of Practice organised by Jubilee - Emptor: a closed collective reflection on the question 'Whose institution?'.

In an encounter with the practices of the different engaged institutions in the project (Kunsthal Gent, Jester, Apass and BUDA) Emptor explores how ownership plays out within their functioning and affects who has access, what is shown and how we valorise art.

Reflections situate themselves on site in dialogue with Grace Ndiritu on the development trajectory 'Ghent:how to live together?' (Kunsthal Gent, 2021) and in time by responding to what happened at 'documenta #15 - lumbung 1'.

In an attempt to publish and perform the ongoing reflection we welcome the public for a shared moment from 16:30:


Public programme
Jubilee

Founded in Brussels in 2012, Jubilee has developed into a polyphonic artist-run organisation that supports the work and research of its artists, as well as the projects of associated artists within collective reflection trajectories. Jubilee's most comprehensive collective trajectories to date are Caveat (2017-...) and Emptor (2021-...).

Jubilee L