#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#124: Do less, do it better.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#124: Do less, do it better.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|