#74: Last one out turns of the lights.|#111: Do it together.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#74: Last one out turns of the lights.|#111: Do it together.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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12.09.2021 10:00

Rondleiding, start om 10.00 uur

Price: € 10

Gandante presenteert:
Karmelieten, het Oud Huis en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan het Oud Huis in Kunsthal Gent. Op zondag 12 september 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar het OUDE HUIS in Kunsthal Gent (voormalige Caermersklooster) waar u meer informatie krijgt in een videoproject van Eredeken Roger Van Bockstaele over de locatie.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens de rondleiding gaat onze gids dieper in op de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling heeft. Maar vertelt ze ook over de geschiedenis van het veertiende-eeuwse Karmelietenklooster.

Op 12 september is de zaalkerk van Kunsthal Gent niet toegankelijk wegens opbouwwerken, maar onze gids kan wel het project van Eredeken Roger Van Bockstaele en het Oud Huis toelichten.

INFO & RESERVEREN