#74: Last one out turns of the lights.|#111: Do it together.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#74: Last one out turns of the lights.|#111: Do it together.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|