#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#37: Operate with radical transparency.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#37: Operate with radical transparency.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|