#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#37: Operate with radical transparency.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#37: Operate with radical transparency.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|
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12.09.2021 10:00

Rondleiding, start om 10.00 uur

Price: € 10

Gandante presenteert:
Karmelieten, het Oud Huis en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan het Oud Huis in Kunsthal Gent. Op zondag 12 september 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar het OUDE HUIS in Kunsthal Gent (voormalige Caermersklooster) waar u meer informatie krijgt in een videoproject van Eredeken Roger Van Bockstaele over de locatie.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens de rondleiding gaat onze gids dieper in op de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling heeft. Maar vertelt ze ook over de geschiedenis van het veertiende-eeuwse Karmelietenklooster.

Op 12 september is de zaalkerk van Kunsthal Gent niet toegankelijk wegens opbouwwerken, maar onze gids kan wel het project van Eredeken Roger Van Bockstaele en het Oud Huis toelichten.

INFO & RESERVEREN