#32: Be pan-gender polyphonic.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#16: Kunsthal Gent will always be a construction site.|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#6: Demand that visitors are active.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#40: Follow the artist|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#16: Kunsthal Gent will always be a construction site.|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#6: Demand that visitors are active.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#40: Follow the artist|#92: We’re a learning organisation.|