#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#40: Follow the artist|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#40: Follow the artist|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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10.10.2021 10:00

Rondleiding, start om 10.00 uur

Price: € 10

Gandante presenteert:
Karmelieten, Kunsthal Gent en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan Kunsthal Gent en de oude Karmelieten. Op zondag 10 oktober 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar Kunsthal Gent (het voormalige Caemersklooster). In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens een rondleiding in Kunsthal Gent gaat onze gids dieper in op twee zaken. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling. Maar anderzijds komt ook de geschiedenis van het veertiende-eeuwse Karmelietenklooster aan bod.

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