#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#40: Follow the artist|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#56: Take a lunch break.|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#40: Follow the artist|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|