#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#127: Remain practical: what happens to the work in an endless exhibition?|#56: Take a lunch break.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#127: Remain practical: what happens to the work in an endless exhibition?|#56: Take a lunch break.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|
This website uses cookies to improve your user experience. More info

10.10.2021 10:00

Rondleiding, start om 10.00 uur

Price: € 10

Gandante presenteert:
Karmelieten, Kunsthal Gent en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan Kunsthal Gent en de oude Karmelieten. Op zondag 10 oktober 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar Kunsthal Gent (het voormalige Caemersklooster). In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens een rondleiding in Kunsthal Gent gaat onze gids dieper in op twee zaken. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling. Maar anderzijds komt ook de geschiedenis van het veertiende-eeuwse Karmelietenklooster aan bod.

INFO & RESERVEREN