#26: More artists, less borders.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#6: Demand that visitors are active.|#62: Be kind. Full dishwasher: empty it.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#6: Demand that visitors are active.|#62: Be kind. Full dishwasher: empty it.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
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19.12.2019 17:00

lecture and presentation

Pay what you can

KASK + PILOOT present:
MIA IMANI HARRISON & Filip Van Dingenen

KASK and PILOOT public art platform present:

Lecture & presentation by MIA IMANI HARRISON
in conversation with Filip Van Dingenen

Kunsthal Gent, Thursday December 19, 17.00h
Entrance via back door, Lange Steenstraat

MIA IMANI HARRISON is a Pacific Northwest native interdisciplinary artist and arts writer who currently lives in Berlin. Harrison interrogates the ways that disenfranchised communities can heal individual, communal, and societal trauma by creating works that live in–between the worlds of art and science. This “third–way” mixes unconventional methods (dreams, rituals) and science (ethnography, geography, psychoanalysis) to collectively dream new ways of being. https://www.miaiharrison.com

In the context of the workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ at KASK, conducted by Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON