#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#34: We pay artists.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#37: Operate with radical transparency.|#62: Be kind. Full dishwasher: empty it.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#34: We pay artists.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#37: Operate with radical transparency.|#62: Be kind. Full dishwasher: empty it.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|
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19.12.2019 17:00

lecture and presentation

Pay what you can

KASK + PILOOT present:
MIA IMANI HARRISON & Filip Van Dingenen

KASK and PILOOT public art platform present:

Lecture & presentation by MIA IMANI HARRISON
in conversation with Filip Van Dingenen

Kunsthal Gent, Thursday December 19, 17.00h
Entrance via back door, Lange Steenstraat

MIA IMANI HARRISON is a Pacific Northwest native interdisciplinary artist and arts writer who currently lives in Berlin. Harrison interrogates the ways that disenfranchised communities can heal individual, communal, and societal trauma by creating works that live in–between the worlds of art and science. This “third–way” mixes unconventional methods (dreams, rituals) and science (ethnography, geography, psychoanalysis) to collectively dream new ways of being. https://www.miaiharrison.com

In the context of the workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ at KASK, conducted by Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON