#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#81: Things come alive when there is friction.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#81: Things come alive when there is friction.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|
