#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#55: Keep basic human needs on the forefront.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#55: Keep basic human needs on the forefront.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
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19.12.2019 17:00

lecture and presentation

Pay what you can

KASK + PILOOT present:
MIA IMANI HARRISON & Filip Van Dingenen

KASK and PILOOT public art platform present:

Lecture & presentation by MIA IMANI HARRISON
in conversation with Filip Van Dingenen

Kunsthal Gent, Thursday December 19, 17.00h
Entrance via back door, Lange Steenstraat

MIA IMANI HARRISON is a Pacific Northwest native interdisciplinary artist and arts writer who currently lives in Berlin. Harrison interrogates the ways that disenfranchised communities can heal individual, communal, and societal trauma by creating works that live in–between the worlds of art and science. This “third–way” mixes unconventional methods (dreams, rituals) and science (ethnography, geography, psychoanalysis) to collectively dream new ways of being. https://www.miaiharrison.com

In the context of the workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ at KASK, conducted by Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON