#84: The White Cube is a lie.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#107: Build a community / scene.|#119: Be a space of production.|#6: Demand that visitors are active.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#15: Kunsthal Gent aims to be an extension of public space.|#19: Have fun at the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#107: Build a community / scene.|#119: Be a space of production.|#6: Demand that visitors are active.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#15: Kunsthal Gent aims to be an extension of public space.|#19: Have fun at the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
