#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#17: An exhibition is never finished.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#92: We’re a learning organisation.|#61: No all male install teams.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#19: Have fun at the exhibition.|#40: Follow the artist|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#36: We support production separately.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#28: Make Contracts.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#17: An exhibition is never finished.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#92: We’re a learning organisation.|#61: No all male install teams.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#19: Have fun at the exhibition.|#40: Follow the artist|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#36: We support production separately.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#28: Make Contracts.|
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19.12.2019 17:00

lecture and presentation

Pay what you can

KASK + PILOOT present:
MIA IMANI HARRISON & Filip Van Dingenen

KASK and PILOOT public art platform present:

Lecture & presentation by MIA IMANI HARRISON
in conversation with Filip Van Dingenen

Kunsthal Gent, Thursday December 19, 17.00h
Entrance via back door, Lange Steenstraat

MIA IMANI HARRISON is a Pacific Northwest native interdisciplinary artist and arts writer who currently lives in Berlin. Harrison interrogates the ways that disenfranchised communities can heal individual, communal, and societal trauma by creating works that live in–between the worlds of art and science. This “third–way” mixes unconventional methods (dreams, rituals) and science (ethnography, geography, psychoanalysis) to collectively dream new ways of being. https://www.miaiharrison.com

In the context of the workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ at KASK, conducted by Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON