#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#62: Be kind. Full dishwasher: empty it.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#62: Be kind. Full dishwasher: empty it.|#29: We make the program for the artist that we exhibit.|
This website uses cookies to improve your user experience. More info

11.12.2022 14:00

Book event & signing

Pay what you can

Kato Six: sawing a plank is like going for a walk

On Sunday 11 December, from 14:00 to 18:00, Posture Editions and Kato Six are organising a book event at Kunsthal Gent.

Kato Six will show a series of handmade tapestries and textile works with lines and patterns referring to labour and the act of making. She will also be present to sign her book ‘sawing a plank is like going for a walk’, the book published by Posture Editions on the occasion of her solo exhibition at M Leuven.

Posture Editions will bring some recently published Editions and Pockets and invites you to complete the missing copies of your Posture Editions collection, browse the sale boxes or just have a chat and a drink at Kunsthal’s new bar, Sheela’s.

Katosix1
Kato Six