#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#56: Take a lunch break.|#44: No name tags at dinner.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#56: Take a lunch break.|#44: No name tags at dinner.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|
