#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#40: Follow the artist|#14: Can you also remain a toddler institution?|#4: Pay what you can.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#40: Follow the artist|#14: Can you also remain a toddler institution?|#4: Pay what you can.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|
