#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
