#137: Use the publication as programming space|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#62: Be kind. Full dishwasher: empty it.|#37: Operate with radical transparency.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#62: Be kind. Full dishwasher: empty it.|#37: Operate with radical transparency.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#14: Can you also remain a toddler institution?|